POMO culture parodies Modern culture. It is important to understand this if you are to read sense into POMO "absurdity." Just as POMOS are the direct offspring of Moderns, POMO culture references Modernism. It is vital, however, to understand that POMO culture is not incidental. As a cultural movement, it is unique in that it acquiesces to the gravity of Modern culture by parody: an intentional but cynical compliance in which it is "forced" into.
For example, breakdancing belongs to the Modern because it imitated the technology of Modern industrialized culture: the reduction of matter to hydraulic motion, robotic movement, and wave theory. What made the dance Modern was its emphasis upon precise mechanical imitation and the most number of rotations exploited from an efficient move. Just like the mechanistic, Modern world-view, breakdancing was a mechanistic expression of that worldview. That is not to say anything negative about the dance, per se, unless a person has bought into the mechanistic worldview. I am only trying to contextualize it. Many customary norms of the Modern can be observed in every strata of culture that link it back to its mechanistic emphases, not just breakdancing.
In the following clip, notice the predictable "orbital" motion of the floor moves. Notice the "waves" and "machining" of the popping moves. Also, notice how the breakers dance, synchronized to the music, not against it, indicating the "staged" choreography. Perhaps, the most obvious Modern convention is the fact that the dancers are spaced or "alienated" from each other at a generous distance from each other so as to be discerned from each other. Also, each dancer specializes in a particular section of the dance genre: fracture. You are watching Modern compartmentalization in action.
And what would I be saying? I would be saying that it is time to wake up to the fact that the world is no longer a Modern world! Even though Modernism has two hundred years of momentum, I am telling you that if you are a Modern you are being marginalized. You are becoming quickly redundant. And it is no fault of the encroaching post-modern world, because eras are subject to change. It is the fault of the nostalgic Modern who wishes it to be 1940 again or 1950 again or, God forbid, the 1980's again when those decades themselves embodied cultural failures we have so tried to escape. Can a man crawl back into his mother's womb and be born again? Of course not, and neither is it a solution to talk about the "good old days" when in reality they were only good because they were familiar.
The movie Beat Street (1984) which featured the East Coast New York City breakers was about breaking out of poverty. The movie ends with a death and a memorial. The plot of the movie Breakin 2 Electric Boogaloo featuring West Coast Electric Boogaloo was about "breaking the system." However, the breakdancers capitulated to the system by using an aspect of Modernism to fight Modernism. In the end their promise to revolt ended up in their raising money to save a local arts hangout. Crumping is different in that it is very very personal. You can't "get crump" unless you are spiritually and emotionally motivated. It does not come any other way. Crumping has finally become commercialized to the ire of its many founder-contributers, but it will remain grassroots because of its emphasis on individual expression.
Youtube breakdancing vs. crumping. You will see that the two Hip-Hop dances have no love for each other. That is because they are two different world-view expressions. Crumping is a quantum expression of breakdancing which is what I mean by POMO culture parodying Modern culture. POMO culture, being derived of Modernism, will always use a Modern sensibility as its reference point. But the key to understanding POMO culture is a veneer of compliance plus a cynic's twist.
For example, breakdancing belongs to the Modern because it imitated the technology of Modern industrialized culture: the reduction of matter to hydraulic motion, robotic movement, and wave theory. What made the dance Modern was its emphasis upon precise mechanical imitation and the most number of rotations exploited from an efficient move. Just like the mechanistic, Modern world-view, breakdancing was a mechanistic expression of that worldview. That is not to say anything negative about the dance, per se, unless a person has bought into the mechanistic worldview. I am only trying to contextualize it. Many customary norms of the Modern can be observed in every strata of culture that link it back to its mechanistic emphases, not just breakdancing.
In the following clip, notice the predictable "orbital" motion of the floor moves. Notice the "waves" and "machining" of the popping moves. Also, notice how the breakers dance, synchronized to the music, not against it, indicating the "staged" choreography. Perhaps, the most obvious Modern convention is the fact that the dancers are spaced or "alienated" from each other at a generous distance from each other so as to be discerned from each other. Also, each dancer specializes in a particular section of the dance genre: fracture. You are watching Modern compartmentalization in action.
As the 1980’s came to a close and the world spirit shifted from a Modern, deterministic view of reality to a Post-modern, spiritual one, breakdancing lost media favor and gave way to a Hip-Hop form more compatible with POMO culture: crumping. Whereas breakdance was predictable, crumping defined itself by its impredictability and attendant absurdity. It is the quantum version of breakdance in that it sections a predictable dance move into exponentially small portions and reframes them in a stream of glitches, aesthetically imitating the uncertainty principle. In fact, properly done, no two Crump dances ought to look the same (RIZE documentary).
In the video clip first listen to the deconstruction of the classic song at the beginning, a post-mod convention. Next, watch the several selections of crumping. Notice in several of the dance selections how close in proximity the onlookers are to the main crumper: the onlookers are "feeding" the crumper energy just as they are "receiving" that energy back. Notice that they do not respond to "staged" moves but only to the novel move or the "unprogrammed" move. These dances are not staged. Also, notice in a few sections how the crumper "stutters" or "skips" very much like a scratched CD "loops" back on itself. It is as if they are breaking out of a "predetermined" act. Also, notice the definitive movements that have a "pull back" to them and the aggressively angular contortions that go no where. Do not watch to criticize. Watch to understand.
What is intriguing about this "ghetto ballet" born out of the 1996 L.A. Riots is that crumpers looked on breakdancing as bling or show because it was fashionably simplistic, pretentious, and commercial. Breakdancing was interested in the precise imitation of mechanics whereas crumping was in revolt against mechanics. Being Modern, I have been culturally partial to breakdance; that is to say, I understand it and can appreciate it.
I have told my students that with my new understanding over the past decade, I would fall on the side of crumping because it is a relevantly cultural expression of the signs of the times. In the proper spirit, it is beautifully choreographed post-modernism exhibiting no faith in truncated predictability and running with a wide-arm embrace towards the unknown or "faith in faith." And I wouldn't crump on stage or in a circle surrounded by an non-participatory audience either like breakdancing demands, being performance-oriented. I would crump outside the circle, in the crowd, on a building, in a tree. I would crump until I was exhausted. I would crump until the Modern crowd went from ridiculing me to awkwardly murmuring about my nonsense to finally giving in to a reverent silence until someone in the crowd says "I think he's trying to say something." And I would do it as a Modern full of compassion for this generation, and not as some POMO wannabe sporting tattoos I really don't want or eyebrow rings I really don't like or speaking a lingo I really don't know or listening to music I really don't understand. No, I would do it as a member of my own optimistic but narcissistic Modern generation before 1989.And what would I be saying? I would be saying that it is time to wake up to the fact that the world is no longer a Modern world! Even though Modernism has two hundred years of momentum, I am telling you that if you are a Modern you are being marginalized. You are becoming quickly redundant. And it is no fault of the encroaching post-modern world, because eras are subject to change. It is the fault of the nostalgic Modern who wishes it to be 1940 again or 1950 again or, God forbid, the 1980's again when those decades themselves embodied cultural failures we have so tried to escape. Can a man crawl back into his mother's womb and be born again? Of course not, and neither is it a solution to talk about the "good old days" when in reality they were only good because they were familiar.
The movie Beat Street (1984) which featured the East Coast New York City breakers was about breaking out of poverty. The movie ends with a death and a memorial. The plot of the movie Breakin 2 Electric Boogaloo featuring West Coast Electric Boogaloo was about "breaking the system." However, the breakdancers capitulated to the system by using an aspect of Modernism to fight Modernism. In the end their promise to revolt ended up in their raising money to save a local arts hangout. Crumping is different in that it is very very personal. You can't "get crump" unless you are spiritually and emotionally motivated. It does not come any other way. Crumping has finally become commercialized to the ire of its many founder-contributers, but it will remain grassroots because of its emphasis on individual expression.
Youtube breakdancing vs. crumping. You will see that the two Hip-Hop dances have no love for each other. That is because they are two different world-view expressions. Crumping is a quantum expression of breakdancing which is what I mean by POMO culture parodying Modern culture. POMO culture, being derived of Modernism, will always use a Modern sensibility as its reference point. But the key to understanding POMO culture is a veneer of compliance plus a cynic's twist.
