POMO

POMO
Showing posts with label Uncertainty Principle. Show all posts
Showing posts with label Uncertainty Principle. Show all posts

Friday, March 4, 2011

POST-MODERN "GAMING" TRUTH

When asked a question such as “Have you finished your homework?” the typical POMO child gives various ambiguous answers: 1) he will evade (I did not bring any homework home), 2) he will imply ignorance of the question by stalling (I normally don’t have homework on Tuesday nights), 3) he will answer in the interrogative (Did I tell you I had homework?), or 4) he will deny any knowledge of the answer (I don’t know), etc.

Modern parents—especially those who strongly want to relate to their children—tend to tolerate inconsistent statements from their children for stretches at a time. However, they usually have a breaking point for the sake of their own sanity. What is often difficult to explain to the frustrated, Modern parent is that his child is not merely lying, being ignorant, or playing dumb. Rather, the POMO views himself as humble, open-minded, and honest next to his absolutist Modern parent who thinks on the basis of authoritative statements. POMOS see themselves as making far fewer mistakes in judgment than Moderns who accuse intolerantly and assert narrow-mindedly.

The POMO tends to feel castigated by the attempts of his parents to "get" the truth out of him which is one of the reasons physical punishments have had and have deliterious affects on the POMO. The Modern could survive physical punishment and categorically get over it. The POMO endures punishment with a martyr's psychology or with psychological breakdown.

The Modern parent will insist to his POMO that the truth is simple! But we no longer live in a culture dominated by the simplicity of Newtonian physics. Space and time are elastic and truth is just as elastic to the POMO! What the Modern does not understand (or even care to understand in some instances) is that the Modern generation is the last in a long line of generations in which confidence in antithesis has deteriorated and given way to the kind of cultural absurdity that alienates him from his child.

Because he does not understand his child’s view of truth, the Modern parent does not realize how far removed he is from his Post-modern child. The Modern knows that a tree is a tree—not a non-tree—and he can say something affirmatively about the tree. In one sense, that logical reliability is a great privilege.

The POMO is too humble to agree that a tree is a tree, because for him it is arrogance to affirm as true any statement over which a variety of persons, peoples and faiths disagree. POMOS preface every statement with an unspoken sentiment of uncertainty: If anything can be known for certain, then I feel well today, If anything can be known for certain, then I am happy to see you, or, As far as we know, World War I began in 1913.

The POMO affirms nothing save that we do not know for certain anything we think that we think we know. Right about this time the Modern parent begins to be nostalgic about his own inferior era. What the Modern does not understand is that, though he thinks on the basis of antithesis, his cultural view of truth is “relative” truth which is not the “absolute” concept of truth he is always hailing!

Relative truth is truth suspended: truth that is right at certain times and wrong or irrelevant at other times. The most acute example I can give of Christian “relative” truth is the sacred-secular distinction, the elevation of spirit over matter, which I will address at length later.

Let me illustrate POMO communication with the popularity of reality TV. Reality TV attracts the POMO for five reasons in particular. There is 1) a defined world or reality (Survivor’s island, Trump’s business world, American Idol’s stage, etc.), 2) a defined hierarchy of authority (the host, judges, and an order amongst team players), 3) defined ethics (rules governing the rounds), 4) defined allegiances (standards to which both the judges and players agree), and 5) defined consequences (being voted off the island, being fired, not moving to the next stage, etc).

The POMO likes this context and he is certain about this reality because for him the context for the reality has been defined. He understands the breadth of the game’s universe. He has his bearings. He might personally disagree with a player’s action, but he understands that the game rules define the moral “right” and “wrong” within that reality. He might personally disagree with a judge’s call, but he understands that the consequences are essential to the reality and he will only employ those tactics (including the various forms of immunity) for which the rules provide. The context for the reality makes all of the difference in the world for the POMO, and he can maintain this kind of respect, this kind of equilibrium in gaming situations that he cannot in "real" life.

Moderns must understand that it is the bent of POMO culture to assume that nothing can be known for certain but to speak as if something can be known for certain. The truth of our greater reality is a context that has yet to be established for the POMO. It does no good to roll ones eyes or to snicker at the absurdity of this generation’s logic, for the POMO is clearly communicating himself all the same. The POMO does have a logical form, it is the insistence of the Modern to impose an artificial grid upon the POMO's reality that has exacerbated the relationship of the two generations. The problem chiefly lies in that the Modern wants the communication on terms with which he is familiar: relative truth!

Moderns want to speak with POMOS. POMOS do not necessarily want to speak with Moderns. They want to speculate with them. The Modern does not know what to do with this except 1) to demand that the POMO communicate with him in the Modern way at the expense of real communication or 2) to play along with his POMO logic while still not understanding it at the risk of becoming absurd himself.

The Modern parent assumes that he is really communicating to his child when his child speaks affirmatively about anything. However, those affirmations are usually personal and not universal affirmations or convictions. The truth of the matter is that the POMO is fundamentally more honest than the Modern, for the Modern takes relative truth too seriously when relative truth in reality is arbitrary. Though the Modern thinks on the basis of antithesis, he applies antithesis when he wants to apply it and he does not apply it when he does not want to apply it.

The POMO does the same, except that antithesis is a game to him in the first place! The Modern observes this disregard for antithesis, and he is incensed—even though he himself demonstrates a lifestyle that truth is relative! It is the POMO who should be incensed, because the POMO is told by the Modern that relative truth is back of everything. The POMO goes, "Well if truth is relative, then let's play with logic!"

Monday, February 28, 2011

UNIFORMITY OF NATURAL CAUSES IN AN OPEN SYSTEM

Perhaps, it is important to now relate the POMO cultural aspiration to absurdity to the Uncertainty Principle. Heisenberg's Law (1927) says that when it comes to quantifying a minimum of two measurements, it is impossible to calculate both to high precision within the same system at the same time in the same way. It is only possible to calibrate the system to one measurement at a time. To try to calibrate both at the same time would result in inaccurate measurements.

This elastic nature no longer allows the system to be traditionally viewed as a fixed frame. The illusion of the "absolute" disturbs the Modern who has been oriented to the rigidity of systems and who frankly would be hindered from functioning if he is not allowed his categorical frames in which to operate.

Just as the Modern subscribed to the uniformity of natural causes in a closed system, the POMO subscribes to the uniformity of natural causes in an open system. What that means is that the natural world (or physical portion) is not all that exists. A final reality of which we are unaware exists outside the physical universe and "interferes" with it of its own will and according to its own rules. Therefore, that final reality makes all of the difference in the world in the determination of which facts are right or wrong.

So the POMO's paradigm is bent to be antagonistic towards the mechanistic (the machine portion of the universe), because it believes there is something greater than mechanics to which all things are oriented. If you do not understand this point, then you will be lost when it comes to understanding the absurd communication forms of this generation. The POMO has an ambiguous uniformity, the illusion of a natural world, and an “openness” that cannot rightfully be called a system because so many nebulous factors play into it so that no one is ever sure to get them all right at any given time. So everyone everywhere is always theoretically right and always theoretically wrong. Anything is possible if you give it enough time and if you let interplay enough factors.

Because the POMO affirms that a final reality exists outside the natural world and that it is beyond the full comprehension of man, the POMO refrains from making absolute judgments about the nature of that final reality. He will speculate, but he will not make an absolute judgment. A variety of opinions exists as to what that final reality is. He does not rely upon one logical system but keeps many logical system options open-ended. Variety, or tolerance, is the Achilles heel of the POMO.

Steve Carell's THE OFFICE is also a brilliant illustration of POMO parody of the open system. Michael Scott is forever interrupting the effective systematic flow of the [[Dunder Mifflin Paper Company]]. Though company protocol has been established and procedure is at his dispense, Michael Scott injects his own disruptive "solutions" to problems for which the management system has already provided. What is the result of each episode after Michael Scott's meddling? Human bonding. Human connection. Something the system cannot in its best of moments achieve.

The POMO does not commit to one system because he has no certainty in the presence of other conflicting contexts that his particular system is right. By not being committed to one system, he remains open to all. In a nutshell, this quality is what I mean by “post-modern.”